Tag Archives: The Hunger Games

Catching Fire: Book vs. Movie

Catching Fire movie posterSo who’s seen Catching Fire? If you’ve read the book, how does the movie hold up? How does it compare to The Hunger Games (film and book)? Come on in and let’s talk!

Before I get into the spoilers, here’s a quick movie review: For me, the book dragged, especially in the first half, and the movie has tightened up the plot without dropping anything essential or feeling rushed. As with the first film, the addition of scenes showing President Snow and the new Gamemaker helps to explain some of what Katniss experiences – oddly enough, making the conflict feel even more immediate. Katniss does a bit too much weeping and screaming for my taste, but overall, Jennifer Lawrence does a stellar job again. Fabulous adaptation, wholeheartedly recommended.

(Note: I have not yet read Mockingjay, so I’m reacting to the film without knowing how the trilogy plays out. Please refrain from discussing Mockingjay in the comments, unless you mark your comment clearly as being a spoiler!)

Spoilers below…

What Got Cut

Because books are longer than movies, any film adaptation of a book has to cut something. The trick is deciding what can be cut while still creating a coherent story. Sometimes this results in an almost entirely different story, or else a film that rushes through without dwelling properly to give the audience the emotional journey they crave.

In this case, the film adaptation sticks very close to the plot of the book – even closer than the first film, which shows unrest in the districts even though in the books Katniss doesn’t learn about this until Catching Fire.

One major difference is that several events in the first half of the book are condensed or eliminated – her PTSD-induced nightmares where Peeta comes to comfort her are trimmed down to a single scene (two if you include the flashback while she’s hunting with Gale), her leg injury is skipped altogether, District 13 is barely mentioned, her personal grooming team is gone except for Cinna, and the idea of “talents” is also gone.

The elimination of Katniss’s supposed talent in design is no great loss, but cutting Peeta’s talent with art leads to a moment of confusion. When Katniss enters the training arena to show off her skills, it’s not clear that Peeta did the painting of Rue. That bit couldn’t be cut because it’s what incites Katniss to make the dummy of Seneca Crane, but if you hadn’t read the books, you’d be lost.

Other than that, trimming the first half works well – the montage of the Victory Tour hits all the highlights from the book and is still very effective. In fact, it is even clearer in the film that Katniss and Peeta’s attempts to stick to the Capitol-approved script only incited more discontent from their audience.

I didn’t notice much, if anything, missing from the film version once the Games started…did you?

What Got Added

As with The Hunger Games, the film version of Catching Fire adds the point of view of President Snow, letting us see more about his motivation and his interactions with the Gamemaker. (Though, critically, we are not privy to the motivations of Plutarch Heavensbee until the end.) This fills in some of the pieces that, to me, were missing in the book.

Catching Fire book coverFor example, when I read the book, I had a hard time buying that Katniss’s love life was really so important to President Snow. But with the movie, seeing Snow and Heavensbee talk about Katniss in her absence, Snow’s thought process is clearer.

She really has become a symbol of resistance, and if he kills her outright she’ll be a martyr, but he has to bring her in line somehow. The increased Peacekeeper presence, for example, is a direct reaction to the threat she poses. It’s meant to cow and deter, not only District 12 as a whole, but also Katniss specifically.

It’s also chilling to watch Snow and Heavensbee plot Katniss’s downfall. Everything she tries is met with a counter-move. It reminds me of that XKCD comic about the definition of success. First of all, she contemplates running away. Then she realizes she can’t run, but she only has to get through the Victory Tour and pretend to be madly in love with Peeta until the tour is over. Then Haymitch explains that that’s not enough, they’ll have to pretend for the rest of their lives. And then Snow drops the bombshell: she’s going back into the Games.

Now that’s good plotting. All of Snow’s counter-moves are in the book, of course, but they’re explicitly shown in the film, and that change makes the tug-of-war between Katniss and Snow more gripping.

The Characters

Jennifer Lawrence did a brilliant job as Katniss in the first movie, and if anything, she’s even better here. Everything from her PTSD to her grief for Rue feels real, and the final close-up on her face would not have been nearly as effective with a lesser actress.

My only quibble is that she’s continually bursting into tears. Fewer tears would have made the remaining ones more effective. If I were directing, I would have had her cry when she learns she’s going back into the Games, when she and Finnick are trapped with the jabberjays, and maybe one other time, but that’s all.

As before, the acting for the secondary characters is fabulous. Most of them, particularly the adults, are a little flat, but at the same time they’re distinctive. Look at any line Effie or Haymitch delivers, and there’s no way that line could belong to anyone else. I even caught myself muttering “Oh, Effie” in fond exasperation at some points.

The new additions are also strong, and come across very much as they’re portrayed in the book. The other tributes are broken people, and it shows. I particularly liked Philip Seymour Hoffman’s Plutarch Heavensbee, who presents as a complete opposite to his predecessor, the foppish Seneca Crane.

A Few Notes on the Story

I also want to mention a few things about Catching Fire that aren’t specifically about book vs. movie.

My movie-going companion maintains that Katniss is weaker in Catching Fire than in The Hunger Games because she spends a lot of time dwelling on the love triangle. By contrast, I feel – especially with the book – that it’s Peeta and Gale who are dwelling and pining away, while Katniss stands aloof from both of them. What’s your take?

(Speaking of “weak”, here is a great point about Peeta and his masculinity.)

I mentioned earlier that I had trouble suspending my disbelief when President Snow takes such a close interest in Katniss’s love life. The other major plot point I had trouble buying was that so many of the other tributes would join in on the plan to keep Katniss alive, when it’s at the expense of their own lives. Of course, maybe I’m still underestimating the extent to which she’s become a symbol for everyone outside the Capitol, or maybe this is explained further in Mockingjay.

Your turn! What did you think of Catching Fire?



Book vs. Movie: The Hunger Games

The Hunger Games movie posterThe book is always better than the movie, right? Usually there’s no contest, or else the movie is different enough that they can’t be compared. (See Michael Ondaatje’s The English Patient, which was a sweepingly romantic movie and a very literary, non-linear book. See also: Philip K. Dick.) But once in a while they’re close enough that you can look at them both side by side. The Harry Potter series is one. The Hunger Games is another. (Edit: For another take on the book vs. the movie, see the YouTube video by Anita Sarkeesian of Feminist Frequency (found via The Mary Sue).)

Let me start by saying that the movie version of The Hunger Games is a very good adaptation of Suzanne Collins’s book. If you’re a fan of the book, chances are you’ll like the movie. If you discovered the movie first, the book will give you added depth without making you wonder how the story managed to change so much between the two media. Most of the major plot points from the book are still there in the movie; most of the character portrayals matched what I imagined from the book, as does the visual style.

Having said that, here are some pros and cons to each version of the story. Spoilers ahoy! Continue reading

Going Meta: The Hunger Games

The Hunger Games cover

The stunning book cover

As you have no doubt heard, the film version of The Hunger Games by Suzanne Collins comes out this week. Even if you haven’t read it, you’ve likely seen the magazine covers or the ad campaign.

And that’s where things get weird. (Or more meta, as the case may be.)

Quick recap: the premise is that in a future version of the United States, teenagers are chosen to fight each other to the death in a televised reality show. Think Survivor, except more so.

Throughout the book, we’re continually reminded of the reality show aspect. (Minor spoilers follow.) Before the games start, Katniss gets dolled up to present the maximum possible spectacle. When she’s in the arena, her thoughts keep returning to the viewers who are watching this brutal show — what they must be thinking, how they’re reacting to events. And so on.

When the book was turned into a movie, we-the-readers suddenly became we-the-viewers. We’ve been placed into the position of the voyeuristic, bloodthirsty hedonists who are (metaphorically) munching popcorn as they watch teenagers thrown into an arena to die. Our gaze forcibly becomes their gaze.

People cover for The Hunger Games

Are we looking at Katniss or Jennifer Lawrence?

The moment when I knew I’d stepped through the looking glass was when I discovered the existence of Hunger Games nail polish.

There’s official merchandise from CafePress, including T-shirts, water bottles, and 50’s-style propaganda.

There’s unofficial merchandise from Etsy, including jewellery and other wearable stuff (WARNING: spoilers for later books in the trilogy).

There are self-referential animated advertising posters (get Cinna’s gold eyeliner!).

You get the idea. The more I discover, the weirder it feels.

On the other hand…a book is not just a book. It’s an action-adventure story with plenty of drama and heartache, but it’s also a critique of our reality-show culture. Survivor and Extreme Makeover: Home Edition were one thing, but now we’re watching Toddlers in Tiaras and Jon & Kate Plus 8 — freak shows, really — and tuning in to the lives of rich people who are famous for nothing more than being famous. When people are inventing things like soccer with tasers, suddenly the Hunger Games don’t seem so unlikely.

If you look at it that way, the fact that the Hunger Games nail polish makes me uncomfortable is actually a good thing. It reminds us that we’re viewers too. So when Katniss looks at the cameras and her face fills the screen, she really is looking at us.

Weekly Roundup

Welcome to Friday, everybody!

Book News

This week I’ve been reading a discussion around female authors, particularly in SF&F — how they don’t get talked about as often as men, or reviewed as often. Cheryl Morgan blogs about the (lack of) teaching of women writers in school. If this makes you angry, you might be interested in Ian Sales’s round-up of SF novels that feature only female protagonists (lots more suggestions in the comments).

General Geekery and Science

Are you Team Gale or Team Peeta? How about Team Katniss?

The intersection of geekiness and crafting is a thing that fascinates me. Here, for example, are Mario Brothers quilts: http://www.themarysue.com/super-mario-bros-3-quilts/

Inspiration: Home Edition

If you’re looking for a hotel that makes you think of magic, check out these domythic getaways.

Did your grandmother own doilies? Mine did. Appreciating the needlework of our grandmothers (with photos of beautiful lacework).


Leo Babauta talks about breaking information addiction and other bad habits.

Justine Musk has more to say on changing habits.

For Writers (And Interested Third Parties)

Cora Ramos reminds us about voice and the inner child.

Kill your darlings: What writing taught me about homemaking. (If you like this post, you might also like How writing is like knitting — and why that matters, a post I wrote last year on the Turtleduck Press blog.)

That’s all for this week. Happy Pi Day, Happy St. Patrick’s Day, and beware the Ides of March. On Monday I’ll be writing about The Hunger Games in anticipation of the film release. Hope to see you back here then!