I finally saw Pacific Rim this week. It made me think All The Thoughts, plenty of which were about women. So…let’s talk about strong women and the role of Mako Mori, Raleigh’s co-pilot.
(This post is not a review, but here’s a capsule review of Pacific Rim for you: Unexpectedly nice balance of giant robots fighting giant aliens with some great character development. Just…bring earplugs, because this movie is LOUD. And all those sparks during the fight scenes are rather blinding, too.)
Hollywood blockbusters are not known for their strong female characters. Women are usually relegated to eye candy (Transformers) or sexy scientists (Star Trek Into Darkness) or mothers (World War Z) or damsels in distress (Spider-Man (2002) — Mary Jane is an independent woman with her own ideas, but at the climax she’s still dangling from a bridge screaming). The bar to surpass these roles is not set very high.
So when I saw Mako participating in the plot and being treated like a person rather than a woman, I got excited. But her role is still problematic. Let’s look at why…
Mako as a Strong Woman: Pros
1. She’s desexualized. Her outfits don’t scream sexy, and she never has to disrobe for thinly disguised male gaze reasons (ahem, JJ Abrams). The sexiest moment is the bit with the umbrella when she’s first introduced.
2. The other characters treat her like an equal. She’s a member of the army and, eventually, a Jaeger pilot, and that’s how she’s treated (except by Marshall Pentecost, but that’s a parent-child dynamic, not a man-woman imbalance). The only person who puts her down for being a woman — Chuck Hansen — clearly needs (and gets) a comeuppance.
3. She can kick ass. She fights Raleigh to a standstill…and again, her outfit and the camera work don’t emphasize her sexy female body while she’s doing it. And then, of course, she goes and kicks Kaiju ass too.
4. She’s a central character with her own arc and her own choices. Granted, the film fails the Bechdel test, but at least the romance is de-emphasized (they don’t even kiss! Hurrah!) and her arc isn’t all about a man, it’s about her.
5. All she’s ever wanted is to be a pilot. Her hero is the first Jaeger pilot she ever saw — a man — and she dreams of following in his footsteps. And the movie thinks she can, too. None of the characters, even Chuck Hansen, ever says she can’t do the job because she’s a girl.
1. She has an emotional breakdown. If anyone gets lost in memories and unable to escape, it should be Raleigh, who was so traumatized by his brother’s death that he quit the program and had to be bullied back into it. But no, it’s the girl who gets, ahem, hysterical.
2. She gets rescued…several times. Raleigh rescues her from her memories, beats up the misogynist pilot for her (even though she could clearly defend herself), and ejects her from their shared Jaeger before their final mission is over (after others have died at their posts to get them into the portal).
3. Her commander (and surrogate father, and hero) doesn’t think she can handle the job…and he’s right. She wants to prove herself. He thinks that not only is she not ready yet, she never will be. She proves him wrong on the latter…by becoming less like the emotional little girl she was and more like a man. (That’s a point that deserves its own blog post. Stay tuned…)
Your turn! Do you think Mako is a strong female character?
Here’s what other bloggers had to say about Pacific Rim:
- Storming the Ivory Tower analyses the visual storytelling
- Bleeding Cool discusses the costume design
- KD Sarge just wants to talk about how much she loved it